Paul Moon premiered at the 2011 DC Independent Film Festival, won the 2011 “Best Short Documentary” jury prize at the Chicago International Movies & Music Festival, won the 2011 “Silver Medal for Excellence in a Music Documentary” at the Park City Film Music Festival, and won the 2013 “Best Short Film” jury prize at the Reel Indie Film Fest in Toronto. Featured in the film are Mivos Quartet, Fair Use Trio, and performance artist Lián Amaris. This half-hour film combines conversation with visuals, performance and behind-the-scenes footage. His work builds on notions of cultural and romantic memory, exploring how information can be accelerated for emotional impact. Luke DuBois is a composer and visual artist in New York City. It was my first documentary, and by now shows its ageīut I’m forever indebted to, and inspired by, its subject. Luke DuBois: Running Out of Time (2011) premieres May 1 at. Presented at the 2021 TIME:SPANS festival of contemporary music at The DiMenna Center for Classical Music in New York City ( ).įor the first time publicly and on YouTube, R. Lighting designed by Burke Brown and Abigail Hoke-Brady. Curated by Anne Leilehua Lanzilotti.ĮMPAC Wave Field Synthesis array conceived by Johannes Goebel, designed/fabricated/engineered by Todd Vos, Jeffrey Svatek and Stephan McLaughlin. Young: Phosphorescent Devotion (2021), and Bora Yoon: SPKR SPRKL (2021). Paul Moon | Zen Violence Films | įeaturing Pamela Z: Sonant Topography (2021), Miya Masaoka: Seeking a Sense of Somethingness (Out of Nothingness) (2021), Nina C. She gives an overview of the technology, the four composers featured in the program, and her thoughts on creating a spatial sound work for the 256-channel speaker system.įilmed and edited by H.
#Samuel barber dover beach pdf
To read the complete program, download the PDF here.īora Yoon ( ) narrates this short documentary about the EMPAC Wave Field Synthesis array presented by the TIME:SPANS contemporary music festival in New York City. Mark’s Episcopal Church on Capitol Hill in Washington, D.C. Pensivity from “Three Pieces in Memory of Stephen Albert” by James Willeyīonkers from “Three Pieces in Memory of Stephen Albert” by James Willeyĭawn from “Three Pieces in Memory of Stephen Albert” by James WilleyĮlegy to the Spanish Republic by Eugene O’BrienĬhristopher Kendall, Artistic Director and conductor 428, one of the magnificent quartets dedicated to Haydn.Consolation “…from the Ripe Flesh…” (after Rilke) by Erik Santos The evening began less auspiciously, however, with Thouvenel’s edgy, insecure reading of Mozart’s E-flat Major String Quartet, K. Wright’s ample voice favors the darker sonorities, and he pulled out all the stops for this haunting tone poem for voice and string quartet. Assisted by the Thouvenel String Quartet, Wright declaimed Barber’s dark cadences and Arnold’s brooding verse with an eerie luminescence, although the string players provided him with a buoyant accompaniment of finely woven counterpoint. “Dover Beach” may have been the shortest work on the evening’s program, but it made the most profound impression, largely due to baritone Martin Wright’s heartfelt and subtly modulated singing. James Episcopal Church, the Pacific appeared just as calm as the opening lines of Matthew Arnold’s poem portrays the North Sea from the Dover shore. Saturday night’s setting for a performance of Samuel Barber’s “Dover Beach” could not have been more congruent.
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